Rumor has it that Marieluise ('Aloysia') Fleißer adapted the Japanese Nō play tanikō. In contrast to Brecht's adaptations of the material in the didactic plays Der Jasager/Der Neinsager, the participants in Fleißer's revolutionary expedition would probably have hesitated as to whether they were walking on the right path between the red mountain and the brown valley. But perhaps their indecision would have helped them to discover a different, more tentative avant-garde that tries to deal with the contradictory impulses of revolutionary desire.
By: Lennart Boyd Schürmann
With: Isabell Höckel, Jorid Lukaczik, Lennart Boyd Schürmann, Anna K. Seidel and Juno Meinecke
Director and text: Lennart Boyd Schürmann
Dramaturgy: Moritz Nebenführ
Costumes: Carla Renée Loose
Sound and music: Stanislav Iordanov
Visual design: Leo van Kann
Stage: Achinoam Alon, Marleen Johow, Moritz Nebenführ, Lennart Boyd Schürmann
Ceramics: Achinoam Alon
Make-up: Lilo Lucia Meyer
Light: Maxi Blässing
Photo: Lennart Boyd Schürmann
A co-production of the Brechtfestival with the Otto Falckenberg School Munich
By: Lennart Boyd Schürmann
With: Isabell Höckel, Jorid Lukaczik, Lennart Boyd Schürmann, Anna K. Seidel and Juno Meinecke
Director and text: Lennart Boyd Schürmann
Dramaturgy: Moritz Nebenführ
Costumes: Carla Renée Loose
Sound and music: Stanislav Iordanov
Visual design: Leo van Kann
Stage: Achinoam Alon, Marleen Johow, Moritz Nebenführ, Lennart Boyd Schürmann
Ceramics: Achinoam Alon
Make-up: Lilo Lucia Meyer
Light: Maxi Blässing
Photo: Lennart Boyd Schürmann
A co-production of the Brechtfestival with the Otto Falckenberg School Munich
from
with
Direction and text
Dramaturgy